Monthly Archives: December 2008

I’ll take depressing stories for $800 Alex: Slumdog Millionaire

December 19, 2008
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Overall Rating: B-
Filmmaking/Artistic: A-
MPAA Rating: R

Overview

A well-acted, beautifully shot, interesting story about an Indian youth named Jamal who grew up in the slums of Mumbai (a slumdog), who is–against all odds–in the middle of winning the big money on the Indian version of Who Wants to Be a Millionaire.  The question is, how?  Turns out that the answer is a long, unbelievably depressing (and fictional) story of  Jamal’s life in the slums.  Violent, perhaps realistic, the question is whether this movie is how you want to spend 2 hours of your time.

Full Review

The subject of intelligence has been of interest for quite some time, especially the concept of innate intelligence.  But of course, the problem is that the natural definition of intelligence (can he figure stuff out) becomes difficult to assess without a frame of reference.  “If there are 3 birds on a fence, and you shoot one, how many are left?”  To a kid who grows up knowing birds only as an abstract concept (that picture in the book is a bird), without being exposed to live birds, the answer might reasonably be two.  But to anyone who has been around a bird (or other animal) when a loud noise goes off (especially a loud noise that fatally wounds a buddy on a nearby fence), the right answer is of course zero.  So which answer shows more intelligence, two or zero?  The answer is, one probably can’t tell from this assessment, which is a lot of the controversy with achievement tests like the SAT.  (Perhaps a better term for these is college preparedness tests… it’s not what one can achieve, it’s how prepared one is for the very specific tasks required in college.  But Your Movie Monkey, as always, digresses.)

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When San Francisco is just too darn conservative: Madagascar 2–Escape to Africa

December 8, 2008
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Overall Rating: C-
Filmmaking/Artistic: C
MPAA Rating: PG

Overview

A very strange, somewhat disturbing follow-up to the original Madagascar, this sequel makes no sense unless you’ve already seen the first one, and has a bizarre “anything goes” morality that will probably go over the heads of really young kids, but give pause for those who are older.  An uninteresting story, plus stolen bits from The Lion King, make this a “skip it” movie.

Mini-review

Your Movie Monkey somewhat enjoyed the first Madagascar, especially the penguins, but this second journey definitely goes downhill.  Alex the lion, Marty the zebra, Melman the giraffer, and Gloria the hippo are back, and while attempting to fly back to New York, crash land in Africa.

While there, each has a kind of separate story.  Alex is in the middle of a remake of the lion king, complete with Mufasa-esque dad and Scar-esque evil uncle.  (Producer: What should we do with Alex’s character?  We’re 15 minutes short.  Writer: Hey, I know, there’s this other animated lion movie…)  Marty finds that in Africa, he’s indistinguishable from all the other zebras, because they all look like him (and talk like him, since Chris Rock does all the voices).  It bothers him that Alex can’t tell him apart from the other zebras, so somehow, captivitiy was a good thing.

Gloria falls in love with a very big hippo named Moto Moto, and Melman professes his undying love for Gloria.

The movie is not very interesting… even Your Movie Monkey’s favorites from the first, the penguins, fall a little flat.  They are still somewhat amusing, except for the bit about the doll.  Somehow, the lead penguin has fallen in love with a bobble-head doll.  There are even “incriminating” pictures of him with the doll used as blackmail.  This was a very strange, inappropriate turn for a kids’ movie.

As was Gloria’s relationship with Moto Moto.  Firstly, Gloria and Moto Moto hang out in some form of pond that is clearly meant to look like a hottub.  Moto Moto is even drawn to look like a naked human, as he has chest hair drawn in on his skin in this hot tub scene.  His entire attraction to Gloria is admittedly physical.  Your Movie Monkey found these scenes creepy, and not altogether appropriate.

Plus, there’s a wierd subtheme about making a sacrifice (of Melman) to the “volcano gods”, in order to get water flowing again.   (Melman does this to save Gloria.)  This idea dreamed up by gender-bending King Julien of the lemurs, who at one point pops out with coconut bosoms and asks “Now who’s attracted to me?”   The movie at first makes it seem like Julien is just crazy, and the audience knows the real cause of the water shortage is a logjam upriver.  But when the jam is cleared, and Julien hints that maybe it wasn’t the volcano gods, the volcano kind of spits lava, as if to say “yes it was”.  Strange.

The best part of the movie (IYMMHO) was the return of Alex’s old lady nemesis from New York.  In her fight against the wild beasts of Africa, the beasts had better watch out.

Overall this is a morally ambiguous film that does not portray very good messages.  For a better review than Your Movie Monkey’s, check out the  Decent Films Guide.

Travolta and Cyrus do us proud: Bolt

December 3, 2008
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Overall Rating: A
Filmmaking/Artistic: A+
MPAA Rating: PG

Overview

Fantastic action, great humor at Hollywood’s expense, and the joy of being a dog.  Bolt has it all, and is fun for kids and adults.  Could be a little scary for kids 5 and under, but overall a great film, well worth seeing.

Full Review

Your Movie Monkey had his doubts.  John Travolta has admittedly a great, familiar voice, especially for those of us old enough to remember Vinnie Barbarino.  (For those of you for whom Welcome Back Kotter was before your time, as a young actor, Mr. Travolta had the power to make us elementary school kids use the phrase “up your nose widda rubber hose” as an insult.  Seriously.)  But as an actor, he’s hit or miss, with one strong hit for every 25 to 50 misses, it seems.  And Miley Cyrus, well, some of us are still smarting from Billy Ray. 

But Bolt came highly recommended from friends, and it certainly did not disappoint.  As promised in the previews, the story revolves around a dog named Bolt who is the star of a popular action show on television.  But as we learn from the oh-so-Hollywood director of the show, Bolt has been raised from puppyhood to think the show going on a round him is real, and that he really does have his superpowers.  (And, wonderfully, the reason for this ruse is a form of method acting: he wants to be able to get shots of a dog who really believes he is an action hero, so it will be realistic.)

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